The first major exhibition since 1955 of over 140 works by the great Florentine master Fra Angelico (1395-1455) was featured during the past year at the Fondazione Palazzo Strozzi and the Museo di San Marco, a Medici-commissioned Dominican convent in Florence where Angelico lived and worked. The event has created an opportunity for a unique dialogue between institutions and the region.
Art News
Upside Down Zebra, the felicitously named exhibition at The Watermill Center (the storied experimental art venue and residency founded by the late Robert Wilson in 1992 on Long Island’s East End), is, in a word, dazzling.
A spacetime grid is a visual diagram in physics to grasp a four-dimensional reality—three dimensions of space and one of time.
When the new National Museum of Art, Architecture, and Design opened in Oslo in 2022, its ambition was to challenge rigid boundaries between creative disciplines.
At age 98, painter Lois Dodd celebrates her first major European retrospective at The Hague in the Netherlands. Open now through April 2026, Lois Dodd: Framing the Ephemeral reveals how this quintessentially American painter manages to imbue the quiet corners of everyday life with a sense of permanence, not unlike Vermeer.
When I Don’t Sleep, I Dream, the major retrospective now on view at the Museum of Modern Art in New York, positions Wifredo Lam as a political, spiritual, and insurgent force—a world-builder who ultimately slips classification.
Having celebrated its 100-year anniversary in 2024, the Surrealism movement remains highly relevant today, with Surrealist ideas and techniques widely embraced by contemporary artists. Its revolutionary approach to art and thought continues to influence art, culture, fashion, and film— offering a powerful perspective on current social and political concerns.
“In this search for my own identity, I seek the power of the rock, the magic of the water, the religion of the tree, the color of the wind and the enigma of the horizon.”–George Morrison
The ritual of ecstatic frenzy induced by followers of Bacchus was seen as a way to free yourself from self-consciousness, as well as suppression by the powerful. The Roman Bacchanalia feasts even created moral panic in the government.
The Barnes Foundation's Henri Rousseau: A Painter’s Secrets is a knockout. If you aren’t familiar with his work– though you likely have seen his masterpiece, The Sleeping Gypsy (1897), borrowed from MoMA for the occasion– this show is a must-see. And, even if you think you know Rousseau, the exhibition still brims with surprises.
