Magdalena Abakanowicz: Embodied Forms
Marlborough Gallery
40 West 57th Street, New York
February 7 – March 10, 2018
Art Galleries & Museums
Louise Nevelson: Black and White
Pace Gallery
537 West 24th Street, New York
February 1 through March 3, 2018
Pace Gallery presents an exhibition of works by leading Abstract Expressionist Louise Nevelson. Arne Glimcher, Pace Gallery Founder, has worked with Nevelson and her estate for the last 55 years, and is honored to “present such incredible work to new audiences.”
Before/On/After: William Wegman and California Conceptualism
At The Met Fifth Avenue
January 17–July 15, 2018
Tom Judd: Disruption
Robischon Gallery
1740 Wazee St
Denver, Colorado
January 11 through March 3, 2018
Chicago Works: Paul Heyer
MCA Chicago
220 E Chicago Ave
Chicago, IL 60611
January 16 - July 1, 2018
Tamayo: The New York Years features over forty of the Mexican painter Rufino Tamayo’s (1899-1991) paintings and prints, as well as reproductions of murals by the artist and his key influences. The introductory wall text informs us that unlike some of his well known mural artist peers, Tamayo was more concerned with the creative process than with overtly politicized themes.
Thomas Nozkowski: 16 x 20
Pace Gallery
510 West 25th Street, New York
January 19 – February 17, 2018
Opening this weekend at Pace Gallery in New York, 16x20 is a retrospective of abstract paintings by New York-based artist Thomas Nozkowski. Spanning forty years of paintings in this size, the exhibition shows the evolution of Nozkowski’s style and interests.
For all intensive purposes
Aspect/Ratio
864 N Ashland
Chicago, IL 60622
Friday, January 5 – Saturday, February 17, 2018
LATOYA RUBY FRAZIER
Gavin Brown's Enterprise
439 W. 127th Street
NY, NY 10027
January 14–February 25, 2018
Once Upon a Time…The Western at the Montreal Museum of Fine Art is absolutely cinematic in its layout, design, and overall effect. This is appropriate for a multimedia exhibition aiming to present an entire genre of painting, photography, and film, tracing its inception in early-mid nineteenth century landscape painting all the way to its contemporary iterations in music and film, as well as even more recent responses to the genre by First Nations artists in both the United States and Canada.
